Earth Radio LIVE at Sol of The Lost Tamarack 2024

This wonderful concert was recorded by the diligent media team that captured the whole event! We also had our previous drummer, Madison George, join us for the festivities!

Recent Collaborations

The great folks in After Ours released "OK2DAY," a song I had fun contributing keys for alongside Hannah Laine's vocals!

In July 2024, Eli Kahn accepted the award from the 16th Annual Music Video Asheville Awards on behalf of the animator, Nathan Morrow, After Ours, and the guest collaborators on the recording process!

This mashup of Bombtrack by Rage Against The Machine and National Anthem by Radiohead includes members from all sorts of Grand Rapids bands coming together for a few hours and arranging, rehearsing, and recording the final product that day. Check out more from The Dogtown City Band for these types of one-off collaborations!

I joined a host of Grand Rapids artists to work with Lady Ace Boogie on a cover of Like a Stone by Audioslave, a cover that also features The Dogtown City Band in action! We got the arrangement together that night and recorded the final product.

The first session I did with The Dogtown City Band, which also featured mainly Grand Rapids artists! We picked the song, vibe, and arranged the song to rehearse/record that afternoon!

Alex Austin is a wonderful singer/songwriter that leads the band Deerfield Run, and he asked me to record this intimate version of this tune!

This was a video that I created for my cousin, Garrett Snedeker, to use for both live performances and this recorded version Frederic Rzewski's North American ballads, of which this is the third. This recording is from his Master’s Recital in 2021 at Trinity Laban Conservatoire.

The video was entirely crafted with archival footage from fair-use databases, and it features reenactments of the antebellum South and the Civil War, early suburbia advertisements, and protest footage during the Civil Rights era.

The idea was to compliment the mood of the music while highlighting the protest music behind this classical composer’s interpretation of traditional spiritual. The narrative follows the transformation of white and black freed citizens post-slavery and showcases the dichotomy between each community’s development after reconstruction into the early 70’s.